I
recently had the honour of meeting a young Nepalese woman, Sandevi Tamang. She
is in the process of setting up a community enterprise that both supports single mothers living in rural
Nepal and also keeps alive the traditional art of weaving, but using new and
contemporary product lines.
It was
so inspiring chatting with Sandevi, and she kindly shared her story with me. What
follows is written by her, in response to some questions that I gave her. Sit
back and enjoy!
1.
Can
you say a bit about your childhood and upbringing, family etc
I was born in the Himalayan
village of Thuloshyabru, of Rasuwa district a remote mountatenous village situated
at an altitude of 2,250 meters, surrounded by mountains, rivers, and a
close-knit community. I was born along with my sister and brother, and our
parents’ love for us was immense, shaped by the loss of three children before
us due to limited access to medical care.
From an early age, I spent much of my life
away from home for school. These experiences taught me independence,
responsibility, and resilience, while also making me deeply aware of the
importance of family, culture, and community. I came to understand how much our
traditions and relationships define who we are, and how essential it is to
preserve them for future generations.
2.
Where
did the idea come from for Tse-ring, and why did you call it by that name
I have always wanted to live
meaningfully and purposefully, guided by the principle of helping others and
being available to those in need and bring positive changes and empowering
people in the vociceless communites like mine. This is the reason I chose to do
Masters in Development studies.
From a young age, I noticed the
multitasking women in my community managed, from household chores and taking
care of family members to herding animals and weaving. Around 2020, I began
exploring this vision more seriously, observing the women at work and the
crafts they created. I would take photos of woven items, bags, belts, and other
product whether displayed in their house, in the process of weaving, or worn by
women fascinated by both their beauty and the skill behind them.
In 2022, I even bought bunch of wools
with the intention of starting with the women in the village, but a lack of
confidence, courage, funds, and guidance held me back. The friends of my circle
were leaving the country in search of better earnings but in the name of
education abroad and that was also putting me in dilemma. Whatever happened but still, the idea of Tser-ring never left me.
I named it Tse-ring, as it means
Long life in Tibetan because it align perfectly with my goal that is to ensure that the tradition of
weaving and Himalayan craft continues to thrive, rather than fade away over
time. I admired their skill and dedication, burt their creations often had limited access to markets and
went unsold despite the immense effort involved. Today, fewer women pursue
these crafts, and younger generations are becoming disconnected from this
tradition.
Tse-Ring was created to address this.
Its core goals are:
- To keep the tradition alive and ensure it endures over time.
- To bridge the gap between generations by adapting traditional crafts
into modern, everyday products.
- To create sustainable jobs for women in Himalayan communities.
- To bring these skills and products to a global market, giving them
recognition and their skills opportunity beyond the village.
Through Tse-Ring, I aim to preserve
our tradition while empowering women and connecting future generations to the
culture that defines us. It is not just a business; it is my way of living
purposefully, honoring my roots, and giving back to the community that shaped
me.
3 3. What prompted you to take the
plunge and start the craft programme now.
I carried the idea of Tse-ring in my
heart for years, always praying for courage more than anything. For a long
time, I hesitated to start, unsure if handicrafts had a future and fearing that
I might only raise hopes for my community. But my passion never wavered. I was
so committed that I even gave a presentation about Tse Ring Soulcraft at my
university in, which was very well received.
Finally,
using my modest savings and cutting everyday expenses, I made the decision to
launch the craft program in July. The longer I waited, the greater the risk of
losing these traditions and the skills of Himalayan women. Seeing their
incredible effort in weaving, combined with limited market access and declining
interest among younger generations, made the urgency undeniable. I asked
myself: if not now, then when? This realization, together with my lifelong
desire to live purposefully and give back to my community, gave me the courage
to take the plunge and turn my vision into reality.
This sense of urgency, combined with my
lifelong desire to live purposefully and give back to my community, pushed me
to take the plunge and turn this vision into reality.
4. 4. What crafts you do, who you sell to etc
At Tse-Ring, we focus on traditional Himalayan crafts, with a special
emphasis on weaving. The women in our community create pangab (a traditional
lower-back hanging), kara (belts), carpets, and woolen jackets. We have also
started adapting these skills into modern, everyday items such as keyrings, pet
straps, purses, table runners, and laptop sleeves. Our products are designed
for people who value handmade, meaningful items, and we sell them both locally
and internationally. Through this work, we not only help preserve our cultural
traditions but also provide sustainable support and recognition for the women
who create them.
5. 5. What is your favourite part of the
work – creating the crafts, or working with the women, or something else….
My favorite part of the
work is seeing people appreciate and recognize the skills skills,creativity
and effort of the women behind the
crafts. Knowing that their hard work is noticed and celebrated is deeply
fulfilling. I especially love it when someone learns the story behind a
product, the weaving techniques, the traditions, and shows respect for it, I
feel that the women’s skills are finally being valued. These moments remind me
that Tse Ring is not just about preserving crafts, but honoring the women who
keep these traditions alive.
6. 6. What your vision is for it – short
term, and maybe even longer term
My vision for Tse Ring
is long-term and deeply purpose-driven. I want to keep these traditions alive
for generations, bridging heritage with modern life through products that are
both beautiful and functional. I aim to take these crafts global, creating sustainable
employment and recognition for local artisans. Ultimately, Tse Ring is a
platform to preserve culture, empower women, and ensure that the skills,
stories, and creativity of our community continue to thrive far into the
future.
https://www.instagram.com/tseringsoulcraft/